Reliance Communications Essay

Reliance Communications is capable of delivering services covering entire gamut of information and communication value chain. Their products and services include infrastructure setting, applications and consultancy. Its corporate clientele includes 600 Indian, 250 multinational corporations and over 200 global carriers and owns and operates the world’s largest next generation, IP enabled connectivity infrastructure, comprising over 150,000 kilometres of fibre optic cable systems in India, Europe, Middle East and the Asia Pacific region. Our project is on gaining market share in the field of Postpaid Division & Data Services (GPRS & 3G) and the strategic decisions involved in it. The division that we will be working on is the Direct & DST-Postpaid division. We have Mr. Anil Das (Head-postpaid and 3G services for Rcom Odisha) mentoring us on this project. The initial idea is to explore the scope of this project from various angles and evaluate the decisions taken by RCom to achieve their desired market share. We found out that globalisation has made telecommunication an integral part of the infrastructure of the Indian economy. The telecom sector in India has developed as a result of this. The telecom sector experienced a rapid growth over the past decade on account of regulatory liberalisation, structural reforms and competition, making telecom one of the major catalysts in India’s growth story. Much of this growth can be attributed to the growth in mobile telephony (number of mobile subscribers grew from 10 million in 2002 to 392 million in 2009) and the growth in the service and IT and ITeS sector. Telecom has emerged as a key factor for economic and consumer growth. The contribution of the sector to GDP is growing (more than doubled). Telecom is one of the fastest-growing industries in India (on an average 8 million wireless subscribers are added every month)

South Korea Research Paper Example | Topics and Well Written Essays - 1000 words

South Korea - Research Paper Example In any country, the daily life of people is guided by cultural practices and believes. In South Korea the daily lives of the South Korean people is guide by Century-old Confucian principles. These principles include among others dedication to hard work and a devotion to family and society. Another unique cultural aspect of the South Korean Society is the use of both the Gregorian calendar and the lunar calendar. The Lunar calendar, with its ties to the land and awareness of changing of seasons assist them in identifying seasons and activities of those seasons. Unlike other societies, their festivals and holidays are based on the lunar calendar so it is advisable that one take necessary measures when planning a visit to this country (Lee 13). According to Lee (13), another part of Confucianism deeply practiced among the South Koreans is the idea of the patriarchic system that regards fathers as the most responsible members of the family and gives elders very much honor. In addition, i n this kind of system, the fathers can only undertake certain activities of the society and in most cases; the father is expected to lead in everything a family does. The problem with such a system is when the father turns to be irresponsible or he is not there at all. These can lead to some of the important family activities failing. In addition, Lee (13) states that the most predominant traditional festival among the South Koreans is the traditional Jesa. This is a ceremony organized to honor the ancestors. In South Korea rice is the most popular food in South Korea, taken as the main dish at almost every meal. Other parts of the meals may include vegetables, soups, fish, and meat. The most common food among the South Koreans is kuk (soup) and chim (stew) made with vegetables, rice, and meat. In addition to this, they also eat kimch’i. This is a spicy, pickled vegetable dish, which is served with other dishes (Davis 13). Changing from a developing to a developed nation has resulted in the change of the diet of the South Koreas. These changes include the importation of beef that has encouraged meat eating and the availability Americans’ food such as bread, dairy foods, baked goods and fast foods (Drago and Goody 150). Therefore, no one visiting South Korea should be afraid of the issue of food. Like the Chinese, the South Koreans have the culture of using chopsticks to eat instead of the cutlery used by the Western countries (Davis 13). It is important to note that some in-depth South Korean issues can be of interest to us. Some of these issues include ceramics, paintings, sculptures, Architecture, and religion. In this case, I will discuss the issue of religion. This does not mean that other issues are trivial; they are equally important as they are rooted to this community and have been practiced for years. They have also been developing from generation to generation. There are various religions practiced in the country of South Korea. Accordi ng to Clark (29), these religions are in three main categories, which include established religions, newly raising religions and the popular religion. Established religions include Buddhism, Christianity, newly rising religion include unification of churches, and the popular religion include shamanism (Clark 29). The oldest religions in South Korea are ideas, shamanism, and animism. In these kinds of religion, adherence

Article about Understanding Portraits Example | Topics and Well Written Essays - 750 words

About Understanding Portraits - Article Example I believe these similarities invoke the differences, and that if taken together these three images could be interpreted to show the development of the same subject across different stages of life. As mentioned above, I feel that these portraits could easily have a meaningful relationship to each other. I imagine that they are of the same subject, but depicted at very different ages in life. There are two parallel structures that progress together: the age of the person depicted and the complexity of the elements used in composing the portraits. The first portrait, image forty-three depicts a very young child in the arms of his or her mother. The identity of the child is hidden by the lack of detail in the simple line drawing – there is little to give a face or an identity. The second image, image twenty, differs from the first in both compositional complexity and age. It depicts a young man, fifteen or more years older than the baby depicted in image forty-three, but when disp layed together invoking the aging process and making the viewer inherently think that the child in image forty-three might have aged into the man in image twenty. The visual complexity also takes a noticeable jump. While sketch-like elements still remain the form and features of the face have jumped drastically in sharpness, and the shading has moved from a simple check-box and line technique to a blended approach where the shading darkens gradually. In this imagined narrative the third portrait, portrait six, takes another jump in age of the subject. It shows the young man aged into a gnarled, lined old man, who despite his age retains the certain light of the eye from the more youthful portrait. While age here takes its largest leap between the three portraits, visual complexity also takes its largest leap. The overall tone of the composition darkens making the points of light shining off the subject’s eyes forehead and aged white hair become more pronounced. The shading al so reaches its apex with entirely fluid transitions from light to dark through the folds of the old man’s face. If I were to arrange these items on a wall I would depict them in the order described, forty-three first, then twenty, then six. This arrangement makes the most sense for several reasons. The first is that the aging narrative makes the most sense in this format; the viewer, seeing three images in somewhat the same style and the same medium of a child, a young man and an old man naturally connects the three into an aging narrative. The second reason for laying these portraits out in this way is that the increase in visual complexity mirrors that of the aging process, which is evocative in several ways. One of the most interesting things about this portrait layout to me is how the narrative of artistic and stylistic progress is juxtaposed to the aging narrative also contained in these images. Moving from the first to the second narrative, one sees a child becoming a m an, and the increase in stylistic mirrors the aging process exactly – the child becomes beautiful, fully grown and powerful, mirroring the new more robust art. The narrative changes, however, moving from the second to the third portrait. In this movement one sees the artistic quality increase apace with a far more robust set of abilities and a more complex composition. The